Link: https://stream.roh.org.uk/packages/jukebox-2/videos/jukebox-2
Available until: Sunday 29th December 2020
Earlier in the week, the Jette Parker Young Artists (plus
one former member of the Programme) performed in Juke Box 1. Each Young Artist
sang the opening of three different arias or songs and audience voted on
youtube and facebook for their favourite. The winning songs were all performed
in full in the Jukebox 2 concert.
Some of our younger bloggers took it in turn to review the three song extracts, each also making their own choice about which song they most wanted to see in Juke Box 2. Their favourites were chosen on four of the eight occasions, which is an exceptionally good return, and nobody was truly unhappy as they found it difficult to choose in the first place.
The vote has resulted in a wonderfully-varied concert,
featuring music in several styles and in five languages. Our young bloggers
will now return to review their particular singer.
German Alcantara –
reviewed by Cal
O vin dissipe la tristesse
from Hamlet by Ambroise Thomas
German is an incredible singer and I’d have been happy with
any of the choices, but it’s nice that so many of the public made the same
choice as me. This was gorgeously-sung with wonderful characterisation. Michael
Papadopolous accompanies the aria really sensitively and does really well to
produce so many of the colours of a full orchestra.
Alexandra Lowe –
reviewed by Alan
So we’ll go no more
a-roving by Valerie White
This wasn’t the one I chose. My choice was the least
favourite. But I do really like this song and it’s nice hearing a song in
English because I can understand all the words. There are subtitles but it’s
nice to hear the words too and know where you are in the song. I really liked
the way the song continued (we only heard the opening before) so I’m glad I got
to hear it. It was really emotional and well acted and I think I might have
chosen this one if I’d known how it went.
Blaise Mataba –
reviewed by Louise
Se il cor guerriero
from Tito Manilo by Vivaldi
Mr Mataba is a brilliant singer and I loved all his arias
but it does make me happy that the public voted the same way as me! This is
such a beautiful, powerful aria. I love the way Mr Mataba sings it so much in
character, even in concert. It really makes me want to listen to or watch the
whole opera and it definitely makes me want to hear more of Mr Mataba’s
singing.
Filipe Manu- reviewed
by Arran
Efiati, peau ongo’I
vale by Tatu
This is even better than I remembered. It is a really
emotional performance which feels like a really personal response to the music.
Filipe Manu accompanies himself really beautifully on the ukulele. It is really
nice to hear different styles of music in an opera house.
Ksenia Nikolaeva – reviewed
by Imogen
Mon coeur s’ouvre a ta
voix from Samson et Dalila by Camille Saint-Saens
I think the public made the right choice. All Ksenia’s
performances were good but this is a very beautiful aria and it was a very
sensual performance. It was also really nice to see the performance up-close
and see that Ksenia’s acting is as good as her voice. I usually prefer sopranos
like me but Ksenia has a very beautiful voice and she wore another lovely dress.
Andres Presna – reviewed by Jack
Te Quiero by Favero
This is slushy but it is possible for a piece of music to be
slushy and very well sung. Apparently there aren’t many Spanish operas so it’s
good to hear some Spanish music at the Royal Opera. There’s lots of emotion and
Andres’ voice sounds good.
Stephanie
Wake-Edwards – reviewed by Megan
Pauline’s Romance from
The Queen of Spades by Tchaikovsky
I loved all Ms Wake-Edwards’ performances but this was my
choice so I’m especially excited to hear this one. She said in Juke Box 1 that
she hates going last but she’s used to it because she’s last alphabetically.
But she doesn’t have to go last this time! It’s a really beautiful aria and
it’s especially nice to hear it in a concert. In the opera it’s a song Pauline
sings to entertain people so it’s probably not an expression of her real
feelings. But in a concert you kind of forget all about the setting and you
just listen to the actual aria and it is a really passionate and emotional one
which is very beautifully performed.
Masabane Cecilia
Rangwanasha – reviewed by Angel
Toi
qui sus le neant from Don Carlo by Giuseppe Verdi
There haven’t been many songs chosen for this concert that
are from really famous operas. Even I’ve heard of Don Carlo. So this is a good song to end on, an aria which most
people probably know and it seems like an exciting one with lots of changes of
dynamics, tempo and key. Masabane Cecilia Rangwanasha is a really good singer.
She does a lot of modern music and she’s good at that but she does the more
traditional opera just as well.
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