By Emma
Link: https://www.queens-theatre.co.uk/whats-on/show/misfits
£15.65 (you have to choose a seat when you book but it’s just for fun, you can
only watch this play from home)
Available until: Livestreams at from Thursday 17th-Sunday
22nd November at 7.30, plus matinées on Thursday and Saturday
When you think of people who come from Essex you usually
think of bad fake tans and relationship problems. But actually people from
Essex aren’t all like that and fake tan isn’t just an Essex thing. I’m not from
Essex and I’d be lying if I’d never had a bad fake tan. That’s kind of the
reason why Misfits was written. People from Essex don’t have the best
reputation and that’s not fair because I’m sure Essex has just as many
individuals as everywhere else. You can’t judge a whole county based on some
reality TV show that’s only going to attract certain types of people.
The original idea was that everyone who bought a ticket for Misfits could choose between going to the theatre in person or watching the livestream. It didn’t work out that way because the theatre had to close but it did mean the livestream was already in place so everyone could watch it.
The four characters in Misfits are all from Essex and
they all have an Essexness that is part of them but they’re four different
people with four different stories to tell, spanning 100 years. The four
writers are Anne Odeke (who is also one of the actors), Kenny Emson, Sadie
Hasler and Guleraana Mir. The monologues have good characters but I think the
stories could have been a bit stronger. There’s one about a beauty pageant, one
about a school reunion, one about a night out with the lads and one about being
pregnant and being in a rock band.
There’s nothing wrong with these stories at all but the
Essex stereotype is based around looking beautiful, partying, getting into bad
relationships and pretending to be a celebrity. And if you think about it the
four monologues are about that too. The four people are a lot more intelligent
than the Essex stereotype and the stories are more complicated than how I
described them but I think there are other stories that could have been told
which are further away from the stereotype.
I did really like the 1908 story about Joanna, written by
and starring Anne Odeke. Joanna is competing in a beauty pageant but it is much
deeper than that because she wants to be the first black woman to compete in a
beauty pageant. That’s quite a significant event so it actually isn’t as
frivolous a story as it could have been, it was a really important moment in
history and all part of the move towards equality.
All the actors are good. Gemma Salter, as the pregnant Daisy,
is especially good at telling her story and holding the audience’s attention
and making you feel like you see everything she sees. Thomas Coombes is very
likeable as Richard/Tag, who is on his last ever night out as a real Essex boy
and is experiencing challenging feelings. Mona Goodwin’s Fiza has moved back in
with her parents and is worrying about a school reunion and that’s really
relatable, there’s nothing wrong with living with your parents at any age but
it’s not the sort of thing you’d want to announce at a reunion where everyone’s
going to be talking about how wonderful their life is.
But there was one thing I noticed all the way through. The
play is called Misfits and I’m not sure any of these characters are real
misfits. They might feel like they don’t fit in and I’m not doubting that their
lives are difficult but they all seem to have friends and a life and a place in
the world. Some people don’t have that.
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